Warrington Press Conference: Toe to Toe for the Leeds Warrior

WARRINGTON: I’LL SHOW I HAVE POWER AGAINST HYLAND

Leeds ace expects toe-to-toe war with Irishman
 
Josh Warrington hopes to be dragged into a war so he can prove he as power when he defends his WBC International Featherweight title against Patrick Hyland at the First Direct Arena in Leeds on July 30, live on Sky Sports.

Photo credit: Lawrence Lustig

Warrington puts his title on the line for the third time having been taken the distance in two challenging battles at his hometown fortress in his last two outings.

Warrington won every round against tough Australian Joel Brunker in his first defence in September before Hisashi Amagasa presented an entirely different challenge in April as the ‘Leeds Warrior’ brilliantly handled a significant height disadvantage against the six-foot Japanese star to record another wide decision win.

The 25 year old now faces Irish fans’ favourite Hyland, who is back in action having challenged WBC king Gary Russell Jr for the World title in April, and Warrington believes the challengers’ come-forward style will make for an entertaining clash where he can show the World champions he carries KO power.

“Amagasa and Brunker were tough nights but we got the wins,” said Warrington. “Patrick has respect for me and I’ve got a lot of respect for him. He’s boxed for the World title earlier in the year so he’s been in with the very best and I know that this is a tough examination for me.

“I had to box clever in the last few fights, but I think this one will be toe-to-toe. Patrick doesn’t take a backwards step in his fights and I think that I’ll be able to show on July 30 that I can really dig and I think it’s going to be a great main event and one that I’ll shine in.

“This is a great show – it’s the best we’ve done so far in Leeds. The fans have put their hands in their pockets time and time again to come and see me and I think we’re delivering a brilliant card for them – the card oozes talent from top to bottom and it’s going to be a great night.”

Hyland is looking to bounce back from his second World title loss with a big win over Warrington, and he is excited to sample the raucous atmosphere that a night of top class boxing in Leeds offers.

“I’ve got a lot of fans coming over and the atmosphere is going to be electric,” said Hyland. “I’ve seen a lot of Josh’s fights and the noise is deafening so I can’t wait to be part of it.

“Gary Russell Jr is the best in the division. He is so, so fast and speed kills in this sport, but this is a different fight. I like how Josh fights and I’ve wanted to get in there with him to test him out and try to take that future World title shot that he’s looking at for myself. I think that we’ll end up standing toe-to-toe and giving the fans a real war.”

Warrington’s clash with Hyland tops a huge card in Leeds as Luke Campbell MBE faces his toughest test in the paid ranks to date in the shape of former World champion Argenis Mendez.

Huddersfield man Tyrone Nurse defends his British Super Lightweight title in an all-Yorkshire affair with Hull’s Tommy Coyle, Barnsley’s Josh Wale gets a shot at the Commonwealth Super-Bantamweight title against Birmingham’s unbeaten starlet Gamal Yafai, classy Belfast man Ryan Burnett defends his WBC International Bantamweight title and Brixton Heavyweight Dillian Whyte lands title action after returning from shoulder surgery with a win at The O2 in June.

Tickets are on sale now priced at £30, £40, £60 and £100 available from the First Direct Arena at www.firstdirectarena.com and on 0844 248 1585. VIP tickets priced at £150 are available exclusively from Matchroom Boxing at www.matchroomboxing.com.

We are thrilled that once again our travel and accommodation tickets have all sold out and we will be welcoming fight fans to our wonderful city and a pre fight meet up will be arranged.

Tickets for July 30 are also available from http://www.stubhub.co.uk/matchroom-boxing-tickets/ - StubHub is the official ticket partner and marketplace of Matchroom Boxing.

Wakefield Just too Beautiful for The South

THE SOUTH play WAKEFIELD – Warehouse 23 on Saturday 22nd October 2016!

The combination of Beautiful South hits and album tracks as well as original songs from their debut album, ‘Sweet Refrains’ has hit a pleasure nerve around the country to the extent they head out on tour again this Autumn, calling once again at Wakefield.

Once in a while a band appears that strikes a chord with many.  Their music becomes an integral part of a nation's psyche and the soundtrack to many people's lives.  Ingrained in the hearts of many is one such band, the Beautiful South.  Over 3 decades this band became a household name, selling over 15 million albums.

On disbanding in 2007, original members Dave Hemingway and Alison Wheeler went on to form The South and with mainstays Damon Butcher and Gaz Birtles (keyboards and brass since the very beginning of The Beautiful South) this talented 9 piece continue to celebrate the music of The Beautiful South and, indeed, The South. Now with one highly acclaimed album 'Sweet Refrains' under their belt, The South are ramping up a gear for what was achieved in 2014/2015.  With a marathon 64 gigs in 2014, there's life in the old dogs yet!

Their rich tapestry of music is wooing audiences far and wide, as they continue to receive ovations from all corners of the UK.  People keep coming back again and again on the very same tour, so these guys are obviously doing something right!

Want a brilliant night out?  Want a moment of euphoria as old memories flood back and new ones are formed? We had the pleasure of seeing the South last time in Wakefield and also at several festivals, and truly if you have ever had any love for any incarnation of this band, its a night not to miss.

With both old and new tunes that stand the test of time, experience this amazing live band performing great songs from Sweet Refrains and classics that can never be forgotten: including Perfect 10, A Little Time, Rotterdam, Don't Marry Her, You Keep It All In, to name but a few.
You'll be surprised at how many songs you already know!

Isn't it time you headed South?

Tickets for THE SOUTH – WAKEFIELD – Warehouse 23 show taking place on Saturday 22nd October are available from:

WAKEFIELD – Warehouse 23
Box Office No: 01924 200162
Website – http://warehouse23.co.uk/events/the-south-2/

Calling All 2-4hr Party People - Family Rave hits Yorkshire

FAMILY RAVE COMES TO YORKSHIRE

Award-winning ‘family rave’ Big Fish Little Fish is launching its first party in Leeds and Sheffield this year. Sheffield's first indoor family mini-festival will be held at Plug on Saturday 9th July, between 2pm - 4.30pm. Sheffield DJ Chris Welch (Sounds Like This // Phonetics) will be playing an eclectic mix of dance music from the last 20 years to a crowd of around 600 parents and their children aged 0 to eight.  The Leeds event will be held at The Warehouse on Sunday 11th September, 2pm-4.30pm. Underground DJ Legend Mixmaster Morris will be playing. 

Voted 'Best Family Event 2014 & 2015' at the Arts Council’s National Family Arts Festival, Big Fish Little Fish has been running regularly in London since 2013. It has also been named in the top 10 of Time Out London's '101 Best Things to do with Kids in London'.

The family raves include a multi-sensory dance floor with top DJs playing club classics. Club visuals, bubble machines, glitter cannons and a giant parachute dance help to create the atmosphere of a real rave. As well as a play and chillout area for babies, the events have a high quality themed craft area with a colouring mural and a playdough table.

We caught up with Verena Scrimshire, Regional Manager Yorkshire & East Midlands, and she is really happy to be bringing the social family fun to Sheffield where she worked for a time in her previous life in housing management. ’Sheffield has a great musical history and some fantastic club night so I’m thrilled to be bringing BFLF to the city. I can’t wait to see the families enjoying time together on the dancefloor - happy smiley faces bouncing around is what it’s all about’.

Just Music and Just Families will be in attendance for a full report, wonder what Joe will make of it!

Tickets for the Sheffield launch party and the Leeds gig which both have an ‘Intergalactic Planetary’ theme, are now on sale. For more information log onto www.bigfishlittlefishevents.co.uk; www.facebook.com/bigfishlittlefishevents

Radiohead - A Moon Shaped Pool Album Review

Reviewed by Asst Editor Karen - as you know my ears reject anything since 1996 by Radiohead!

'A Moon Shaped Pool' is unarguably experimental, but feels like an exception to the rule. It's strange yet familiar, like recalling a dream from a week ago while doing something mundane in your day. This album is an exercise in the uncanny, in part because several of the songs on here are previously heard but unreleased favourites by fans. It's emotional in a similar vein to 'In Rainbows', and there's still some hints of cryptic notions about paranoia and anxiety, but with that Thom Yorke has never sounded so clear and vivid in his vocal delivery. It seems to be an album of tenderness and acceptance of those insecurities. Perhaps this is their most personal release to date, as a lot of discussion has arisen concerning Yorke's separation from his partner of 23 years, and Nigel Godrich has mentioned the death of his father while making the album and the impact that's had on 'A Moon Shaped Pool'. It's melodically one of their most accessible albums to date, yet with enough meticulous detail to make one always feel some pang of anxiety and uneasiness. Patience is the virtue of 'A Moon Shaped Pool', and it benefits entirely from it.

The musical arrangements and touches of ambience-bordering-psychedelia swirl 'A Moon Shaped Pool' together to feel thematically consistent which is an impressive feat. Credit must be given to long time collaborator, producer, and unofficial sixth member of the band Nigel Godrich with some of his best work since Beck's 'Sea Change'. To consider the knife-sharp strings of the first track 'Burn The Witch' with its wry lyrical listing of groupthink in comparison to the following track 'Daydreaming'. A subdued, sighing ballad with a distorted piano melody with such delicate simplicity metamorphosing into vivid detail before drifting back to its skeleton clauses, the effect is hypnotic. The melody for 'Dark Decks' is the quintessential Radiohead melody. It could have comfortably belonged on OK Computer with its science-fiction led lyrics, its sense of scale, gravitas and impending doom. 'Ful Stop' and 'Identikit' breathe in some energy and brooding synths within the album. Identikit particularly is a standout, its driving bass at the beginning by Colin Greenwood, it's shingling guitars at the break, and a moment of pure bliss with an ethereal choir chanting "Broken hearts, make it rain" while synth chords build, ending with a wonderful guitar solo will leave you short of breath. The startlingly blunt 'Glass Eyes' depicts a man experiencing a panic attack on a commute, which is borderline melodrama so rarely personalised by Yorke's lyrics. All this is accompanied by Jonny Greenwood's string arrangements swaying above, which although beautiful throughout 'A Moon Shaped Pool', stands out particularly here and on 'Tinker Tailor Solider Sailor Rich Man Poor Man Begger Man Thief'.

After all that, we reach the climax of the album which has been a fan favourite for the better part of twenty years. Prior to this it only has canonization within their catalogue as a live acoustic guitar-led recording. 'True Love Waits', although a sad song, always felt like it contained a glimmer of hope whenever Yorke sang the line "Just don't leave." It's a lyric that brings the mental image of someone being shaken with adoration, the pouring of emotion to another person and feeling able to do that only to them in that moment. On 'A Moon Shaped Pool' however it finds itself morphed into a discordant piano ballad which is heart-wrenching to endure. 'True Love Waits' has instead of being a song about infatuation and the beginnings of love is now a song of love lost. "Just don't leave" is now breathed into dense air in a dead room, no one is there to hear it anymore.

This album, as luscious and rich as it is, reaching points of utter bliss and transcendence is contrasted by just how bleak it is. 'A Moon Shaped Pool' is a rather blunt and indifferent way of describing a planet flooded due to global warming, and following that defeatist attitude there is almost nothing left to lose in ideas of honesty and emotional truth. It situates the political and the catastrophic as a backdrop, demonstrating their insignificance in comparison to our inherent need for love and how painful it may be to lose that. This is a powerfully sad and immersive album which only gets denser and more apparent with each listen. Patience is the greatest virtue, and with time, the idea of surrendering yourself may be one of the most difficult things you can do - but never have Radiohead sounded so liberated and free

Geronimo Festival. A complete wash out - and not due to the Bank Holiday weather.

GERONIMO - NO - NO

The advertising got us – Glastonbury for kids. Now we have taken our kids to Glastonbury and a whale of a time was had by all so Geronimo was going to have some heights to reach.
One of our lovely contributors went on the Sunday with her husband and two kids, aged 3 and 6. They tell a tale that has by now been well documented on social media and on ITV and BBC news..

It’s fair to say that Harewood is not really suited for accessing big events. Its nigh on impossible to get there on a bus (especially on bank holidays), there are no rail links, there is one road from the A1 several miles away. The site itself has a one car at a time archway which again severely restricts the flow of traffic. There are several other access routes available although since filming of Emmerdale moved here these seem largely out of action.

So the queues that met our intrepid reporter could perhaps have been predicted, the disorganisation of the ticket issuing and associated queues could have and should have been arranged much much better. Its bad enough as adults but when you have excited little ones in two complete with buggies it’s a horrendous experience. Nobody seemed to know what was going on, where tickets could be collected from, what was happening with prepaid parking, the lack of knowledge from staff working Geronimo would be one that recurred through the weekend.

Entering the festival it seemed like things were spread out to create the effect of a bigger festival. Tents dotted randomly with no clue what was in them until you go right up to the entrance. No maps to help guide or plan were given nor available on the site, no main stage could be seen and this is where most headed as various luminaries from CBBC were to be found. Not that you could see anyone when you got there. A very low and small stage, a wide area in front of it meant that as an adult you were struggling, when everyone, of course, put their little ones on their shoulders, it was clear from the comments around us that even the kids couldn’t see. The simple answer to help this would have been a higher stage and video screens, why there were no screens is a mystery. I heard that the weather was to blame for the non-arrival of planned screens. Get better screens then as I have been at many a wind and rain lashed event, far worse than anything Geronimo experienced and always had screens that worked.

Not far from the stage was an area with a large carousel and a couple of other fairground rides, all were free and included which meant that, well everyone wanted a go. It was like the first few minutes of the Next sale every time the ride started to slow with kids almost dragged off the ride so adults could barge through and plonk their kids on the nearest thing. No point the kids saying “I want to be on the bus”, it’s the tractor for you my lad and be happy about it.

It was clear that there was not enough of any substance to entertain the kids, the huge main arena was randomly used and bore no relation to prior advertised timetables nor did the two or three tents they trudged over hill and dale to. Seeing the horrendous queues everywhere our reporters and family opted to leave and make the most of what remained of Bank Holiday Sunday. There simply was not enough on site for this amount of people. Very poorly planned.

By contrast (in some sense) we arrived on the Monday at around 10.00am, no queues, a handful of cars in the car park and a casual stroll up the ticket booth. 10 minutes after parking the car we were in and straight away got the same sense of a vast expanse with tents flung to its far corners. There was hardly anyone on site and so heeded advice and headed for the carousels where our son had several rides on whatever he wanted,  a fire engine, a police car, the bus.. the onto the train, again a couple of rides there…he had a look at the big carousel and didn’t fancy that (he is 2) shame because I really did!

There was something going on at the main stage and the few people on site seemed to be there. I could see my colleagues point completely, even with just a few rows of people it was difficult to see, such a small and low stage, apparently something was happening on the ground but we had no idea what.

By now the rain had come, and it did come. Any organiser should know that if it’s over the bank holiday there is at least 50% chance of rain and rain makes people want to get out of it if they can. So everyone headed for the tents, tents that were having some activity in or other – we agree that until you got to the tent and had trudged through the mud you had no idea what was happening inside. Invariably it was people huddled over cups of tea or trays of pale chips. The rain thankfully didn’t last that long but it added to the quagmire outside. It turned into quite a nice day and we opted for lunch.

Now a big part of any festival for us is the food, gone are the days of a dodgy burger van, street food and innovative caterers are what adds to the experience. On the website Geronimo promised a variety of interesting things to eat including good options for our son, the Fabulous Fish Finger company offering a kids meal box which ticked several boxes for us.

However 75% of the outlets advertised simply weren’t there, and had never been there. The remaining 25% that were, were the sno-slush type places that are barely worth a mention. Instead, it was the standard burger grill, the standard fish and chip van (very pale and soggy fish and pale hard chips, yay!) and two corn on the cob places. Not the cutting edge of modern festival cuisine. Why were these places advertised, even today after the vent they are still being advertised. That is false advertising, the catering was not of the same quality nor quantity as advertised and that’s wrong. We opted to give our son his back up lunch pack that we brought from home and we decided we would get some late lunch off site.

Although the rain had stopped, because it was lunch time people wanted seating and save for 6 picnic tables – yes just 6 – there was no seating outside. So everyone remained in tents and sat at tables where it was clear activities had been taking place earlier. The only other tent we found housed Tumble tots and we were keen to experience this as the only class that runs in our area does so at a time inconvenient to us. Joe, our son loved it and got to go around twice. As we looked in the tent next door, Joe noticed it was soft play (well soft play with a leaky roof), there was no stopping him, not even the woman who said he was a bit big (tall / old I assume) for this and if more smaller children came we would have to leave. Thanks for that, it was billed as the 3ft and under section, never expected my son to be profiled at the age of 2.

As we made our way towards the exit we noticed stalls packing up and going, at 12.30! I have no idea what they were as they were in the final throws but this added insult to injury and we decided to call it a day. A very poorly organised and planned festival. Little though as to what actually works for kids of ALL ages, little thought about how to lay festivals out safely, no thought of signage, direction and many caterers / features just not as advertised.

From the official website FAQ

• Are all activities free once you pay entrance for the main stage?YES YES YES. Main Stage - Full Circus - Theatre Tent - Live Music - Fairground Rides - Craft Tents - Donkey Rides - Face Painting - Parkour - SPI school & lots more.

Well No No No, all activities were not free graffiti tshirt, dress up photos, amongst others were chargeable items.

• What happens if it is raining?We want to ensure that you can enjoy the event come rain or shine and many of our activities will be under cover and in marquees.

Well yes except many of those activities couldn’t be carried out as people sheltered from the rain  / used the only existing tables and chair for dining.

This was not a cheap festival to attend with tickets £25.00 each (including children over 2) and mandatory parking. Did we get value for money, hell no we did not, did Joe enjoy it? Yes he did, but would he have enjoyed going to the local Jungle Jim and then to the Bank Holiday Fair? Yes he would and we wouldn't have spent £75 in doing so. We respectfully suggest that if this excuse for a kids festival should reappear next year you spend your money elsewhere.

My Big Fat Greek Wedding 2 Movie Review: Annulled Due to Dullness

It's been 14 years since Nia Vardalos' warm comedy about her raucous extended family became the sleeper hit of the 2002, and now she's back with more of the same silliness. It all feels rather predictable this time around, although there are some terrific comical moments along the way. And the cast is genuinely likeable, even if the characters are fairly thin.


So after all this time, Toula (Vardalos) and her husband Ian (John Corbett) are still living on the same street as Toula's many relatives. She's also running the family cafe with her parents Gus and Maria (Michael Constantine and Lainie Kazan), who are bickering because they just discovered that they're not legally married. Meanwhile, Toula and Ian are struggling to rekindle the spark in their marriage as they both worry about the coming day when their 17-year-old daughter Paris (Elena Kampouris) goes off to university. As meddling Aunt Voula (Andrea Martin) tries to find a suitable Greek boy for Paris, everyone is planning Gus and Maria's wedding. Which of course can't be a small occasion.

None of the movie's interwoven plot threads has any tension at all in it, so the film meanders amiably along. There's never any doubt that Toula and Ian will reawaken their romance, that Gus and Maria will renew their vows or that Paris will find her independence. And without any proper conflict, the film struggles to get the audience involved in any meaningful way beyond laughing at the engaging characters. Director Kirk Jones (who made the original Nanny McPhee) occasionally tips things over into physical slapstick or full-on farce, plus several very cheap gags, but most of the humour is centred on the wacky cultural antics of these colourful family members. The actors invest plenty of charm into their roles, with Martin once again stealing the film as the uproariously over-involved Voula.

Fans of the original film will get pretty much what they expect here, but there's nothing more on offer: no additional depth, no bigger laughs, no surprising revelations. It's so oddly un-ambitious that it feels more like the next episode of a sitcom than a proper movie sequel. At least the film is assembled in a messy style that reflects this family's nonstop chaos, as the large number of hyperactive characters barge in and out of scenes with noisy abandon. And it's all so undemanding that the audience is free to just sit back and smile at the vaguely recognisable goofiness. Although it only occasionally feels anything like real life.

Zootopia (aka Zootropois) Movie Review: A Riot of Colour

The filmmakers behind Tangled and Wreck-it Ralph join forces for this entertaining animated action comedy, which has clearly been planned as a franchise-launcher. Energetic and funny, the movie is packed with wonderfully engaging characters and animated with clever visual inventiveness. But even though it's a lot of fun, it's difficult to escape the feeling that Disney is trying to sell us a whole new range of products.


The setting is a world populated only by animals, where predators and prey have learned to get along. The story centres on feisty rabbit Judy Hopps (voiced by Ginnifer Goodwin), who grew up under pressure to work in the family carrot-farming business. But she wants to be a cop, even though no bunny has ever made the force. Top of her class at police academy, she's assigned to the Zootropolis Police Department, where Chief Bogo (Idris Elba) makes her a meter maid. But she's too ambitious to write parking tickets all day, and teams up with con-artist fox Nick (Jason Bateman) to look into the strange case of a missing otter, which might be linked to a series of unexplained events in which predators suddenly became aggressive and dangerous.

The writers and directors have a great time with the premise, peppering scenes with knowing references mainly to other movies but also to resonant aspects of society, such as the genius casting of sloths as government workers. And there are also much bigger themes rattling around the edges, from how other peoples' expectations constrain us to how politicians use fear to control the public. There's also a cleverly pointed undercurrent about prejudice and diversity. And at the centre, Goodwin and Bateman give solid vocal performances as natural enemies who find a way to trust each other. Of the supporting cast, Elba is the standout as a buffalo who is all bluster.

The setting also offers the animators with a lot to play with, mainly in Zootropolis' various zones, including a desert, a snowscape, a rainforest and a miniature neighbourhood for rodents. The movie is a riot of colour and motion, with a steady stream of hilarious one-liners and a naggingly catchy Shakira song. It's also so carefully constructed that everything promises more to come, from party costumes to toys, plus the possibility of videogames, theme park rides and, of course, sequels and spin-offs. Thankfully, it's so enjoyable that the audience will be looking forward to new ways to enter into this world. And Disney is going to make a lot of money from it.